1-10.Entretiens pour un film #1
The filming, not the film, Camille Dumond | Editions Clinamen | Distribution Les Presses du réel.
Publié par les Editions Clinamen, "The Filming, Not the Film" de Camille Dumond est le premier livret de sa série intitulée Entretiens pour un film. Dans son essai, Camille Dumond écrit des lettres à Jarman, lui racontant sa première visite de son cottage et de son jardin sur la côte sud du Kent au Royaume-Uni. Elle explore le processus de réalisation de Jarman, tout en se concentrant sur la relation entre l'architecture, qui sert de toile de fond à The Garden (1990), et l'intrigue du film. Citant Beatriz Colomina et l’analyse de l'architecture moderniste qu'elle propose dans Privacy and Publicity : Modern Architecture As Mass Media (1994) ainsi que A Room of one’s own (1929) de Virginia Woolf, Camille Dumond pose des questions essentielles sur notre relation à l'espace, au genre et à l’architecture, et envisage ainsi la maison et le jardin comme des acteurs principaux. Le lancement a lieu à la Becque le 10 septembre 2020 - Une viédo d'un collage sonore et visuel composé d'interviews de Jarman et de ses acteur.ices présente "The Filming, Not the Film". Entretiens pour un film (Issue #1) The Filming, Not the Film. Edition bilingue FR/EN, 12 x 18 cm, broché, 88 pages, 15CHF Texte et dessins : Camille Dumond Coordination éditoriale: Roxane Bovet & Lucas Cantori Couverture : Vela Arbutina 200 copies Clinamen | editions-clinamen.com Distribution : Les presses du réel | lespressesdureel.com
The filming, not the film, Camille Dumond | Editions Clinamen | Distribution Les Presses du réel.
Publié par les Editions Clinamen, "The Filming, Not the Film" de Camille Dumond est le premier livret de sa série intitulée Entretiens pour un film. Dans son essai, Camille Dumond écrit des lettres à Jarman, lui racontant sa première visite de son cottage et de son jardin sur la côte sud du Kent au Royaume-Uni. Elle explore le processus de réalisation de Jarman, tout en se concentrant sur la relation entre l'architecture, qui sert de toile de fond à The Garden (1990), et l'intrigue du film. Citant Beatriz Colomina et l’analyse de l'architecture moderniste qu'elle propose dans Privacy and Publicity : Modern Architecture As Mass Media (1994) ainsi que A Room of one’s own (1929) de Virginia Woolf, Camille Dumond pose des questions essentielles sur notre relation à l'espace, au genre et à l’architecture, et envisage ainsi la maison et le jardin comme des acteurs principaux. Le lancement a lieu à la Becque le 10 septembre 2020 - Une viédo d'un collage sonore et visuel composé d'interviews de Jarman et de ses acteur.ices présente "The Filming, Not the Film". Entretiens pour un film (Issue #1) The Filming, Not the Film. Edition bilingue FR/EN, 12 x 18 cm, broché, 88 pages, 15CHF Texte et dessins : Camille Dumond Coordination éditoriale: Roxane Bovet & Lucas Cantori Couverture : Vela Arbutina 200 copies Clinamen | editions-clinamen.com Distribution : Les presses du réel | lespressesdureel.com
1-16.Eye archive group (Technopark Tanger)
2020 | Morocco | Moroccan arabic / Subtitled French | Documentary essay | 43 ' | HD
Le Cube – independant art room, Rabat, Morocco, 2020.
video excerpt 1
video excerpt 1
Full film on demand
A group of actors in Tangier discusses issues around language and transcription, basing their critical thoughts over a publication of local stories translated in the 1970's.
Eye archive group (Technopark) presents the outcome of research conducted on the subject of translation and transcription between two languages, in Tangier and Rabat, during a residency of 3 months in Morocco. This residence was carried out within the framework of the Studio Residency 2020 program set up by Swiss art Council / Pro Helvetia - Cairo. The residency began in December 2019 in Dabateatr (Tangier), and ended in Le Cube - independent art room (Rabat) in March 2020.
Avec / With : Hamza Ahmich, Amine Daoud, Salma El idrysy, Diyae Maalem, Saad Mohad, Ilias Naser, Sara Zekri ; Réalisé par / Directed by : Camille Dumond ; Créé en collaboration avec / Created in collaboration with : Hamza Ahmich, Anass Allaoui, Younes Daghmoumi, Amine Daoud, Salma El idrysy, Diyae Maalem, Saad Mohad, Ilias Naser, Hassan Okacha, Sara Zekri; Image / Camera + Montage / Editing : Camille Dumond ; Prise de son / Sound : Younes Daghmoumi; Mixage & création sonore / Sound edit & design : Reda Zniber; Traduction / Translation : Zineb Sbai El Idrissi, Achraf Remok, Ayoub El Mouzaine ; Sous-titrage / Subtitling : Zineb Sbai El Idrissi, Camille Dumond ; Voix-off / Voice-over : Abdessamad El Montassir; Etalonnage / Grading : Kevin Le Dortz ; Graphisme / Graphic design : Hamza Ahmich, Anas Massaoudi; Remerciements / Acknowledgments : Zineb Sbai El Idrissi, Elisabeth Piskernik, Gabrielle Camuset, Joséphine Dernoncourt, Le Cube – independant art room, Ayoub El Jamal & Randa Maroufi, Drissi El Arbi & ZOOM7 production, Reda Zniber & Mariakenzi Lahlou, Kevin Le Dortz & Faysal Lahrouchi, Compagnie P-art-age / Tanger. Dabatek / Dabateatr, Jaouad Essounani, Farah Abdelmoumni, Technopark Tanger, Achraf Remok, Ayoub El Mouzaine, Emilienne Guiffan, Anna Benarrosh.
2020 | Morocco | Moroccan arabic / Subtitled French | Documentary essay | 43 ' | HD
Le Cube – independant art room, Rabat, Morocco, 2020.
video excerpt 1
video excerpt 1
Full film on demand
A group of actors in Tangier discusses issues around language and transcription, basing their critical thoughts over a publication of local stories translated in the 1970's.
Eye archive group (Technopark) presents the outcome of research conducted on the subject of translation and transcription between two languages, in Tangier and Rabat, during a residency of 3 months in Morocco. This residence was carried out within the framework of the Studio Residency 2020 program set up by Swiss art Council / Pro Helvetia - Cairo. The residency began in December 2019 in Dabateatr (Tangier), and ended in Le Cube - independent art room (Rabat) in March 2020.
Avec / With : Hamza Ahmich, Amine Daoud, Salma El idrysy, Diyae Maalem, Saad Mohad, Ilias Naser, Sara Zekri ; Réalisé par / Directed by : Camille Dumond ; Créé en collaboration avec / Created in collaboration with : Hamza Ahmich, Anass Allaoui, Younes Daghmoumi, Amine Daoud, Salma El idrysy, Diyae Maalem, Saad Mohad, Ilias Naser, Hassan Okacha, Sara Zekri; Image / Camera + Montage / Editing : Camille Dumond ; Prise de son / Sound : Younes Daghmoumi; Mixage & création sonore / Sound edit & design : Reda Zniber; Traduction / Translation : Zineb Sbai El Idrissi, Achraf Remok, Ayoub El Mouzaine ; Sous-titrage / Subtitling : Zineb Sbai El Idrissi, Camille Dumond ; Voix-off / Voice-over : Abdessamad El Montassir; Etalonnage / Grading : Kevin Le Dortz ; Graphisme / Graphic design : Hamza Ahmich, Anas Massaoudi; Remerciements / Acknowledgments : Zineb Sbai El Idrissi, Elisabeth Piskernik, Gabrielle Camuset, Joséphine Dernoncourt, Le Cube – independant art room, Ayoub El Jamal & Randa Maroufi, Drissi El Arbi & ZOOM7 production, Reda Zniber & Mariakenzi Lahlou, Kevin Le Dortz & Faysal Lahrouchi, Compagnie P-art-age / Tanger. Dabatek / Dabateatr, Jaouad Essounani, Farah Abdelmoumni, Technopark Tanger, Achraf Remok, Ayoub El Mouzaine, Emilienne Guiffan, Anna Benarrosh.
1-16.Eye archive
Solo show
Le Cube – independant art room, Rabat, Morocco, 2020.
Solo show
Le Cube – independant art room, Rabat, Morocco, 2020.
1-3.The escape
Installation with 10 ceramics and 300 x 300 cm screen fabric.
Swiss Art Awards 2019, Hall 3, Messe Basel, Switzerland.
Thank you: Benjamin, Jony, Lauren, Lea, Beni, Natascha, Cy, Marie-Pierre.
Written and directed by Camille Dumond. With: Tarren Johnson, Kaspar Locher, Salber Williams. Cinematography: Romain Rampillon. Camera assistants: Julien Bauer, Niko Gindler. Director Assistants: Khristina Demenshina, Ndayé Kouagou, Steve Paul. Sound recording: Tsvetelina Valkova, Alexander Acevedo. Make-up: Mellie Steffanides. Costumes : Camille Dumond, Luzie Meyer. Editing: Deborah Uhde, Vera Herr, Camille Dumond. Sound mix : Adrien Kessler. Color: Leon Orlandi. Subtitles : Piero Di Clemente/Raggioverde.
The script of the film is based on interviews held with airport workers from Geneva in 2018-19.
Installation with 10 ceramics and 300 x 300 cm screen fabric.
Swiss Art Awards 2019, Hall 3, Messe Basel, Switzerland.
Thank you: Benjamin, Jony, Lauren, Lea, Beni, Natascha, Cy, Marie-Pierre.
Written and directed by Camille Dumond. With: Tarren Johnson, Kaspar Locher, Salber Williams. Cinematography: Romain Rampillon. Camera assistants: Julien Bauer, Niko Gindler. Director Assistants: Khristina Demenshina, Ndayé Kouagou, Steve Paul. Sound recording: Tsvetelina Valkova, Alexander Acevedo. Make-up: Mellie Steffanides. Costumes : Camille Dumond, Luzie Meyer. Editing: Deborah Uhde, Vera Herr, Camille Dumond. Sound mix : Adrien Kessler. Color: Leon Orlandi. Subtitles : Piero Di Clemente/Raggioverde.
The script of the film is based on interviews held with airport workers from Geneva in 2018-19.
1-4.The escape
Film, 17’44", 4K, color, 2019.
From one sunset to the next, an airport agent slowly questions the meaning of her daily life, with the help of her colleagues.
Video excerpt 1
Full film on demand
The script of the film is based on interviews held with ground handling employees from Geneva airport in 2018-19.
Written and directed by Camille Dumond. With: Tarren Johnson, Kaspar Locher, Salber Williams. Cinematography: Romain Rampillon. Camera assistants: Julien Bauer, Niko Gindler. Director Assistants: Khristina Demenshina, Ndayé Kouagou, Steve Paul. Sound recording: Tsvetelina Valkova, Alexander Acevedo. Make-up: Mellie Steffanides. Costumes : Camille Dumond, Luzie Meyer. Editing: Deborah Uhde, Vera Herr, Camille Dumond. Sound mix : Adrien Kessler. Color: Leon Orlandi. Subtitles : Piero Di Clemente/Raggioverde.
Film, 17’44", 4K, color, 2019.
From one sunset to the next, an airport agent slowly questions the meaning of her daily life, with the help of her colleagues.
Video excerpt 1
Full film on demand
The script of the film is based on interviews held with ground handling employees from Geneva airport in 2018-19.
Written and directed by Camille Dumond. With: Tarren Johnson, Kaspar Locher, Salber Williams. Cinematography: Romain Rampillon. Camera assistants: Julien Bauer, Niko Gindler. Director Assistants: Khristina Demenshina, Ndayé Kouagou, Steve Paul. Sound recording: Tsvetelina Valkova, Alexander Acevedo. Make-up: Mellie Steffanides. Costumes : Camille Dumond, Luzie Meyer. Editing: Deborah Uhde, Vera Herr, Camille Dumond. Sound mix : Adrien Kessler. Color: Leon Orlandi. Subtitles : Piero Di Clemente/Raggioverde.
1-8.Haro+readings
Solo show with guests - Arttu Palmio, Marilou Bal, Agathe Frasson-Cochet, Aminata Labor, Farooq Gul- in Quark, Geneva, 2019.
Screening of Haro (Film, 23’51’’, 4K, color, sound, 2018) in loop.
Window-fresque Haro by Marilou Bal & Agathe Frasson-Cochet.
Readings by Arrtu Palmio, Benjamin Elliott, Melodie.
Texts by Camille Dumond, Aminata Labor, Le protagoniste by Arthur Jaquier.
Sweatshirt Kabul by Farooq Gul.
The film Haro follows mental peregrinations and physical wanderings of anonymous characters. The filming overflows out of the shooting time, inside the exhibition space. Former participant actors are invited to join the show in Quark (Rue Charles-Imbert, Geneva) for a new physical and ephemeral narrative. A series of recent ceramic works {Zwischennutzung} are shown as teasers for the upcoming film to be shot in Berlin called The escape.
Written and directed by Camille Dumond. With : Farooq Gul, Arttu Palmio, Aminata Labor, Osmin Renaux, Marie Sebag, Michael Henaf, Damien Robert, Jacob Zucherman, Karim Manneh, Marilou Bal, Agathe Frasson-cochet, Guilhem Monceaux, Munsif Abrahimkhil, Abdul Raziq.
Paris: Cinematography : Jean-Baptiste Mees | Son : Lucas Salvador | Set design : Camille Dumond, Arthur Jaquier, Benjamin Elliott. Costumes & Make-up : Laura O’rorke. Lights : Thanks to Eric Lamy. Shots were filmed inside the Group show “CLUB ANDALOUSE”, curated by Marie de Gaulejac with following artworks : “Night Shop (Bruxelles)”, 2015 de Nicolas Bourthoumieux ; “Blackstar”, 2005 de Anne-Mie van Kerckhoven ; “Walk all Over me (Socks On)”, 2017 de Madison Bycroft ; “Club Andalouse Curtain”, 2017 de Erwan Mahéo. Club Andalouse est un projet soutenu par la Fondation Wallonie-Bruxelles (Paris, Octobre 2017). Thanks to Joseph Kouli, the team of Club Andalouse, Marie-Pierre Lamy, Arnaud Dumond.
Geneva: Cinematography : Julie Bellard. Son : Benoit Frech. Sets : Thanks to Ressources Urbaines. Artworks : Text from The childlike life of the Black Tarantula (1973) by KATHY ACKER. Installation of the set after the artwork Blizzard Ball Sale (1983) by DAVID HAMMONS.
Set by Camille Dumond. Necklaces made with iron molds “Token” by Basile Dinbergs. Edit: Camille Dumond. Sound mix : Adrien Kessler. Color : Raphaël Dubach - Thanks to R. Frauenfelder, S. Lacour, T. Rabemanantsoa. | Music : Following original tracks were mixed for the soundtrack. © She spells doom. GLANCE by She Spells Doom (0:16) from album Monstart Vol.5 - MONSTART / Gardenia Haze by She Spells Doom 6:59) from album Jacuzzi Jam Junction EP - CREME RECORDS. Other soundtracks : Cosmo, Behold, Dreamscape, by Camille Dumond. Additionnal sound design by Adrien Kessler.
Solo show with guests - Arttu Palmio, Marilou Bal, Agathe Frasson-Cochet, Aminata Labor, Farooq Gul- in Quark, Geneva, 2019.
Screening of Haro (Film, 23’51’’, 4K, color, sound, 2018) in loop.
Window-fresque Haro by Marilou Bal & Agathe Frasson-Cochet.
Readings by Arrtu Palmio, Benjamin Elliott, Melodie.
Texts by Camille Dumond, Aminata Labor, Le protagoniste by Arthur Jaquier.
Sweatshirt Kabul by Farooq Gul.
The film Haro follows mental peregrinations and physical wanderings of anonymous characters. The filming overflows out of the shooting time, inside the exhibition space. Former participant actors are invited to join the show in Quark (Rue Charles-Imbert, Geneva) for a new physical and ephemeral narrative. A series of recent ceramic works {Zwischennutzung} are shown as teasers for the upcoming film to be shot in Berlin called The escape.
Written and directed by Camille Dumond. With : Farooq Gul, Arttu Palmio, Aminata Labor, Osmin Renaux, Marie Sebag, Michael Henaf, Damien Robert, Jacob Zucherman, Karim Manneh, Marilou Bal, Agathe Frasson-cochet, Guilhem Monceaux, Munsif Abrahimkhil, Abdul Raziq.
Paris: Cinematography : Jean-Baptiste Mees | Son : Lucas Salvador | Set design : Camille Dumond, Arthur Jaquier, Benjamin Elliott. Costumes & Make-up : Laura O’rorke. Lights : Thanks to Eric Lamy. Shots were filmed inside the Group show “CLUB ANDALOUSE”, curated by Marie de Gaulejac with following artworks : “Night Shop (Bruxelles)”, 2015 de Nicolas Bourthoumieux ; “Blackstar”, 2005 de Anne-Mie van Kerckhoven ; “Walk all Over me (Socks On)”, 2017 de Madison Bycroft ; “Club Andalouse Curtain”, 2017 de Erwan Mahéo. Club Andalouse est un projet soutenu par la Fondation Wallonie-Bruxelles (Paris, Octobre 2017). Thanks to Joseph Kouli, the team of Club Andalouse, Marie-Pierre Lamy, Arnaud Dumond.
Geneva: Cinematography : Julie Bellard. Son : Benoit Frech. Sets : Thanks to Ressources Urbaines. Artworks : Text from The childlike life of the Black Tarantula (1973) by KATHY ACKER. Installation of the set after the artwork Blizzard Ball Sale (1983) by DAVID HAMMONS.
Set by Camille Dumond. Necklaces made with iron molds “Token” by Basile Dinbergs. Edit: Camille Dumond. Sound mix : Adrien Kessler. Color : Raphaël Dubach - Thanks to R. Frauenfelder, S. Lacour, T. Rabemanantsoa. | Music : Following original tracks were mixed for the soundtrack. © She spells doom. GLANCE by She Spells Doom (0:16) from album Monstart Vol.5 - MONSTART / Gardenia Haze by She Spells Doom 6:59) from album Jacuzzi Jam Junction EP - CREME RECORDS. Other soundtracks : Cosmo, Behold, Dreamscape, by Camille Dumond. Additionnal sound design by Adrien Kessler.
1-3.So long lives this, and this gives life to thee
Spectacle, 120 minutes. Théâtre de l’Usine, Genève, 2019.
Un projet de Kayije Kagame, avec Camille Dumond, Hugo Radi, Marvin M’toumo, Ndayé Kouagou.
* Tant que vivra ceci, par ceci tu vivras. Derniers vers du Sonnet XVIII de William Shakespeare.
Direction artistique : Kayije Kagame
Conception : Kayije Kagame, Camille Dumond, Marvin M’toumo, Ndayé Kouagou, Hugo Radi
Dispositif scénique : Camille Dumond
Composition sonore : Ndayé Kouagou
Conception costume : Marvin M’toumo
Film : Hugo Radi
Chef opérateur : Augustin Losserand
Conception lumière : Dinko Baresic
Administration : Cie Victor, Les Papiers
Coproduction : TU – Théâtre de l'Usine
Soutiens : Ville de Genève, Loterie Romande, Fondation Ernst Göhner
Photos: Eden Leviam
Trailer
Spectacle, 120 minutes. Théâtre de l’Usine, Genève, 2019.
Un projet de Kayije Kagame, avec Camille Dumond, Hugo Radi, Marvin M’toumo, Ndayé Kouagou.
* Tant que vivra ceci, par ceci tu vivras. Derniers vers du Sonnet XVIII de William Shakespeare.
Direction artistique : Kayije Kagame
Conception : Kayije Kagame, Camille Dumond, Marvin M’toumo, Ndayé Kouagou, Hugo Radi
Dispositif scénique : Camille Dumond
Composition sonore : Ndayé Kouagou
Conception costume : Marvin M’toumo
Film : Hugo Radi
Chef opérateur : Augustin Losserand
Conception lumière : Dinko Baresic
Administration : Cie Victor, Les Papiers
Coproduction : TU – Théâtre de l'Usine
Soutiens : Ville de Genève, Loterie Romande, Fondation Ernst Göhner
Photos: Eden Leviam
Trailer
1-8.Haro (set)
Solo secret show - Film set for Haro, Ressources urbaines, Accacias, Geneva, 2018.
Solo secret show - Film set for Haro, Ressources urbaines, Accacias, Geneva, 2018.
1-8. Haro
Film, 23’51’’, 4K, color, sound, 2018.
From supervising boardgames to getting a haircut, a man escapes his fragmented life. A cyclic environnement stages repetitive gestures done by ubiquitous characters. Everything is a loop. He will soon disappear and be replaced. As the camera visits forests, clubs, exhibitions and flat-sharing lives, a painting from Magritte ’La voix du sang’, staging a tree with holes, appears as a symbolic pattern of the story.
Video excerpt 1
Video excerpt 2
Full film on demand
Film, 23’51’’, 4K, color, sound, 2018.
From supervising boardgames to getting a haircut, a man escapes his fragmented life. A cyclic environnement stages repetitive gestures done by ubiquitous characters. Everything is a loop. He will soon disappear and be replaced. As the camera visits forests, clubs, exhibitions and flat-sharing lives, a painting from Magritte ’La voix du sang’, staging a tree with holes, appears as a symbolic pattern of the story.
Video excerpt 1
Video excerpt 2
Full film on demand
Written and directed by Camille Dumond. With : Farooq Gul, Arttu Palmio, Aminata Labor, Osmin Renaux, Marie Sebag, Michael Henaf, Damien Robert, Jacob Zucherman, Karim Manneh, Marilou Bal, Agathe Frasson-cochet, Guilhem Monceaux, Munsif Abrahimkhil, Abdul Raziq.
Paris: Cinematography : Jean-Baptiste Mees | Son : Lucas Salvador | Set design : Camille Dumond, Arthur Jaquier, Benjamin Elliott. Costumes & Make-up : Laura O’rorke. Lights : Thanks to Eric Lamy. Shots were filmed inside the Group show “CLUB ANDALOUSE”, curated by Marie de Gaulejac with following artworks : “Night Shop (Bruxelles)”, 2015 de Nicolas Bourthoumieux ; “Blackstar”, 2005 de Anne-Mie van Kerckhoven ; “Walk all Over me (Socks On)”, 2017 de Madison Bycroft ; “Club Andalouse Curtain”, 2017 de Erwan Mahéo. Club Andalouse est un projet soutenu par la Fondation Wallonie-Bruxelles (Paris, Octobre 2017). Thanks to Joseph Kouli, the team of Club Andalouse, Marie-Pierre Lamy, Arnaud Dumond.
Geneva: Cinematography : Julie Bellard. Son : Benoit Frech. Sets : Thanks to Ressources Urbaines. Artworks : Text from The childlike life of the Black Tarantula (1973) by KATHY ACKER. Installation of the set after the artwork Blizzard Ball Sale (1983) by DAVID HAMMONS.
Set by Camille Dumond. Necklaces made with iron molds “Token” by Basile Dinbergs. Edit: Camille Dumond. Sound mix : Adrien Kessler. Color : Raphaël Dubach - Thanks to R. Frauenfelder, S. Lacour, T. Rabemanantsoa. | Music : Following original tracks were mixed for the soundtrack. © She spells doom. GLANCE by She Spells Doom (0:16) from album Monstart Vol.5 - MONSTART / Gardenia Haze by She Spells Doom 6:59) from album Jacuzzi Jam Junction EP - CREME RECORDS. Other soundtracks : Cosmo, Behold, Dreamscape, by Camille Dumond. Additionnal sound design by Adrien Kessler.
Paris: Cinematography : Jean-Baptiste Mees | Son : Lucas Salvador | Set design : Camille Dumond, Arthur Jaquier, Benjamin Elliott. Costumes & Make-up : Laura O’rorke. Lights : Thanks to Eric Lamy. Shots were filmed inside the Group show “CLUB ANDALOUSE”, curated by Marie de Gaulejac with following artworks : “Night Shop (Bruxelles)”, 2015 de Nicolas Bourthoumieux ; “Blackstar”, 2005 de Anne-Mie van Kerckhoven ; “Walk all Over me (Socks On)”, 2017 de Madison Bycroft ; “Club Andalouse Curtain”, 2017 de Erwan Mahéo. Club Andalouse est un projet soutenu par la Fondation Wallonie-Bruxelles (Paris, Octobre 2017). Thanks to Joseph Kouli, the team of Club Andalouse, Marie-Pierre Lamy, Arnaud Dumond.
Geneva: Cinematography : Julie Bellard. Son : Benoit Frech. Sets : Thanks to Ressources Urbaines. Artworks : Text from The childlike life of the Black Tarantula (1973) by KATHY ACKER. Installation of the set after the artwork Blizzard Ball Sale (1983) by DAVID HAMMONS.
Set by Camille Dumond. Necklaces made with iron molds “Token” by Basile Dinbergs. Edit: Camille Dumond. Sound mix : Adrien Kessler. Color : Raphaël Dubach - Thanks to R. Frauenfelder, S. Lacour, T. Rabemanantsoa. | Music : Following original tracks were mixed for the soundtrack. © She spells doom. GLANCE by She Spells Doom (0:16) from album Monstart Vol.5 - MONSTART / Gardenia Haze by She Spells Doom 6:59) from album Jacuzzi Jam Junction EP - CREME RECORDS. Other soundtracks : Cosmo, Behold, Dreamscape, by Camille Dumond. Additionnal sound design by Adrien Kessler.
1-5.6 balls and the Maze
Solo show 6 balls and the Maze - Installation and loop screening, Forde, Geneva, 2018, by Bianca Benenti, Camille Dumond, Séverine Heizmann, Gitte Hendrikx, Claire van Lubeek, Lin Vorwinzel.
Text by Nicolas Brulhart & Sylvain Menétrey
Solo show 6 balls and the Maze - Installation and loop screening, Forde, Geneva, 2018, by Bianca Benenti, Camille Dumond, Séverine Heizmann, Gitte Hendrikx, Claire van Lubeek, Lin Vorwinzel.
Text by Nicolas Brulhart & Sylvain Menétrey
Audio credits: “Fashion television” par Crowdpleaser; “Ascension” et “6 balls in a basket” par Pullman rose; “Brouette de choucroute” par Macon.
Thanks to : Lucas Cantori, Steve Lüthi, Benjamin et Clark Elliott, Macon, Lili Reynaud-Dewar, Benjamin Valenza, Gregor, Quentin, Denyse, Pierre-Henri, Nicolas Bruhlart, Sylvain Ménétrey.
photos: David Zo Meroni
Thanks to : Lucas Cantori, Steve Lüthi, Benjamin et Clark Elliott, Macon, Lili Reynaud-Dewar, Benjamin Valenza, Gregor, Quentin, Denyse, Pierre-Henri, Nicolas Bruhlart, Sylvain Ménétrey.
photos: David Zo Meroni
1-8. Harotary
Video, 2’08’’, 4K, color, sound, 2018.
As part of the capsule 2.50 - Portmanteau Rotary Plate, Halle Nord, Geneva, 2018.
Full video
Video, 2’08’’, 4K, color, sound, 2018.
As part of the capsule 2.50 - Portmanteau Rotary Plate, Halle Nord, Geneva, 2018.
Full video
Written and directed by Camille Dumond. With : Arttu Palmio
Geneva: Cinematography : Julie Bellard. Son : Benoit Frech. Sets : Thanks to Ressources Urbaines. Edit and sound mix: Camille Dumond.
Geneva: Cinematography : Julie Bellard. Son : Benoit Frech. Sets : Thanks to Ressources Urbaines. Edit and sound mix: Camille Dumond.
1-7.Gezi
A Solo show gathering the screening of People's Park dub and several objects in Hit artspace, Geneva, 2017.
A Solo show gathering the screening of People's Park dub and several objects in Hit artspace, Geneva, 2017.
Gezi takes the name of Istanbul park in Turkey, which existence is similar to the People’s park from Berkeley. A fence in the room directly adresses the idea of an occupation and the shaping of the park itself by its occupants. Maybe they would have hang their food to dry, like the street sellers we see in the film Sajat Nova by Paradjanov. Gazies like daisies, gaze of daisies, park flowers hanging on the walls. They are blond American actresses (Barbara, Chloe, and Gena, Edith), gathered in some labyrinth - park.
People's Park dub, 18'27", 4K, color, sound, 2017.
People's Park dub, 18'27", 4K, color, sound, 2017.
1-5.Ajardeck
Film, 15’44’’, 4K, stereo, 2017.
MAN is haunted by a dream. CAT does not especially want to help her and BIRD, who could reveal the meaning of the dream, cannot be found.
video excerpt
Full film on demand
Film, 15’44’’, 4K, stereo, 2017.
MAN is haunted by a dream. CAT does not especially want to help her and BIRD, who could reveal the meaning of the dream, cannot be found.
video excerpt
Full film on demand
This films is a free adaptation from the following tale by Ahmed Yacoubi : "The Man who dreamed of fish eating fish", ed. P. Bowles, "Five Eyes" by Black Sparrow Press (1979).
Directed by Camille Dumond. With: Kayije Kagame, Clémentine Ménard, Yitu Tchang, Guilhem Monceaux, Cécile Gourbière. Cinematography : Jean-Baptiste Mees | Sound: Etienne Bellière | Director assistant : Jina Kim | Extras : Alexandre Carré, Jina Kim, Estel Fonseca, Mathilde Puig, Liv Schulman, Tim Sidmonds | Set design by Romain Dja Daouadji | Lights : Estel Fonseca, Alexandre Carré | Catering : Alexia Rigal, Xavier Baudry | Thanks to Guilhem Monceaux, Alexandre Carré, Liv Schulman, Timothy Sidmonds, Triangle France, Marie de Gaulejac, Anne Le Troter, Antonin Horquin, Anne Marchis, Benjamin Valenza, Pierre Armand, Estel Fonseca, Ahmed Yacoubi and his last partner Carol Cannon.
1-4.Haro (Paris set)
Group show Club Andalouse, curated by Marie de Gaulejac - Film set for Haro, Paris, 2017.
Group show Club Andalouse, curated by Marie de Gaulejac - Film set for Haro, Paris, 2017.
Written and directed by Camille Dumond. With : Farooq Gul, Arttu Palmio, Aminata Labor, Osmin Renaux, Marie Sebag, Michael Henaf, Damien Robert, Jacob Zucherman, Karim Manneh, Marilou Bal, Agathe Frasson-cochet, Guilhem Monceaux, Munsif Abrahimkhil, Abdul Raziq.
Paris: Cinematography : Jean-Baptiste Mees | Son : Lucas Salvador | Set design : Camille Dumond, Arthur Jaquier, Benjamin Elliott. Costumes & Make-up : Laura O’rorke. Lights : Thanks to Eric Lamy. Shots were filmed inside the Group show “CLUB ANDALOUSE”, curated by Marie de Gaulejac with following artworks : “Night Shop (Bruxelles)”, 2015 de Nicolas Bourthoumieux ; “Blackstar”, 2005 de Anne-Mie van Kerckhoven ; “Walk all Over me (Socks On)”, 2017 de Madison Bycroft ; “Club Andalouse Curtain”, 2017 de Erwan Mahéo. Club Andalouse est un projet soutenu par la Fondation Wallonie-Bruxelles (Paris, Octobre 2017). Thanks to Joseph Kouli, the team of Club Andalouse, Marie-Pierre Lamy, Arnaud Dumond.
Geneva: Cinematography : Julie Bellard. Son : Benoit Frech. Sets : Thanks to Ressources Urbaines. Artworks : Text from The childlike life of the Black Tarantula (1973) by KATHY ACKER. Installation of the set after the artwork Blizzard Ball Sale (1983) by DAVID HAMMONS.
Set by Camille Dumond. Necklaces made with iron molds “Token” by Basile Dinbergs. Edit: Camille Dumond. Sound mix : Adrien Kessler. Color : Raphaël Dubach - Thanks to R. Frauenfelder, S. Lacour, T. Rabemanantsoa. | Music : Following original tracks were mixed for the soundtrack. © She spells doom. GLANCE by She Spells Doom (0:16) from album Monstart Vol.5 - MONSTART / Gardenia Haze by She Spells Doom 6:59) from album Jacuzzi Jam Junction EP - CREME RECORDS. Other soundtracks : Cosmo, Behold, Dreamscape, by Camille Dumond. Additionnal sound design by Adrien Kessler.
Paris: Cinematography : Jean-Baptiste Mees | Son : Lucas Salvador | Set design : Camille Dumond, Arthur Jaquier, Benjamin Elliott. Costumes & Make-up : Laura O’rorke. Lights : Thanks to Eric Lamy. Shots were filmed inside the Group show “CLUB ANDALOUSE”, curated by Marie de Gaulejac with following artworks : “Night Shop (Bruxelles)”, 2015 de Nicolas Bourthoumieux ; “Blackstar”, 2005 de Anne-Mie van Kerckhoven ; “Walk all Over me (Socks On)”, 2017 de Madison Bycroft ; “Club Andalouse Curtain”, 2017 de Erwan Mahéo. Club Andalouse est un projet soutenu par la Fondation Wallonie-Bruxelles (Paris, Octobre 2017). Thanks to Joseph Kouli, the team of Club Andalouse, Marie-Pierre Lamy, Arnaud Dumond.
Geneva: Cinematography : Julie Bellard. Son : Benoit Frech. Sets : Thanks to Ressources Urbaines. Artworks : Text from The childlike life of the Black Tarantula (1973) by KATHY ACKER. Installation of the set after the artwork Blizzard Ball Sale (1983) by DAVID HAMMONS.
Set by Camille Dumond. Necklaces made with iron molds “Token” by Basile Dinbergs. Edit: Camille Dumond. Sound mix : Adrien Kessler. Color : Raphaël Dubach - Thanks to R. Frauenfelder, S. Lacour, T. Rabemanantsoa. | Music : Following original tracks were mixed for the soundtrack. © She spells doom. GLANCE by She Spells Doom (0:16) from album Monstart Vol.5 - MONSTART / Gardenia Haze by She Spells Doom 6:59) from album Jacuzzi Jam Junction EP - CREME RECORDS. Other soundtracks : Cosmo, Behold, Dreamscape, by Camille Dumond. Additionnal sound design by Adrien Kessler.
1-5.Gorrh Etherrwork
A temporary artspace proposal by Camille Dumond with Alaa Abdelhamid, Diego de Atucha, Etienne Chosson, Ellen Ripley for BIG, Biennale des indépendants, Plainpalais, Geneva, 2017.
Gorrh Etherrwork is a fictional temporary place and a shooting set. Four interventions around what is visible in society at different scales are developped in the bunker or in the public space of the biennale around it. The participants wish to develop a collective film through their interventions, that might exist or not after the three days.
photos: Laurence Favre
A temporary artspace proposal by Camille Dumond with Alaa Abdelhamid, Diego de Atucha, Etienne Chosson, Ellen Ripley for BIG, Biennale des indépendants, Plainpalais, Geneva, 2017.
Gorrh Etherrwork is a fictional temporary place and a shooting set. Four interventions around what is visible in society at different scales are developped in the bunker or in the public space of the biennale around it. The participants wish to develop a collective film through their interventions, that might exist or not after the three days.
photos: Laurence Favre
1-13.Firewalk
An event by Camille Dumond, Lou Masduraud, Romain Rampillon, & filmed at 360 degrees, bringing together artist collectives over three days in the artspace Glassbox, Paris, France, 2017
Infos
An event by Camille Dumond, Lou Masduraud, Romain Rampillon, & filmed at 360 degrees, bringing together artist collectives over three days in the artspace Glassbox, Paris, France, 2017
Infos
With following collectives : Okay confiance (Elie Ortis, Elise Carron, Anne-Lise Le Gac) Pauline Perplexe (Cecile Bouffard, Antoine Barberon, Mathilde Rives), The cheapest university (lecture de Sabrina Soyer).
Technical device by Romain Rampillon
Firewalk Poster by Jeremy Piningre
Film screenings (program by Gabriel Gonzalez & Camille Dumond):
Opa-Locka Will Be Beautiful, Armand Morin (21'12, 2011)
Paradise Loop, Alain Garcia (9', 2016)
Picasso Land, Bertrand Dezoteux (11'06, 2015)
People’s Park Archive, Fred Fischer (9’, 1969)
People’s Park, Camille Dumond (9’, 2017)
Ain’t Got No Fear, Mikhail Karikis ( 10’ 2016)
Stand-by Office, Randa Maroufi (13’20, 2017)
Le Park, Randa Maroufi (14’, 2015)
1.Four women looking in the same direction
Digital print on plastic cover for the wall of the Frode Café, Forde artspace, Geneva, 2017.
Digital print on plastic cover for the wall of the Frode Café, Forde artspace, Geneva, 2017.
1-8.People's park props
Shown in the group show Bourses déliées 2016, Lauréats 2014 and 2015 des bourses du fonds cantonal d'art contemporain (FCAC) de Genève, Halle Nord, Geneva, 2016.
Shown in the group show Bourses déliées 2016, Lauréats 2014 and 2015 des bourses du fonds cantonal d'art contemporain (FCAC) de Genève, Halle Nord, Geneva, 2016.
Installation of miscellaneous objects of concrete casts, prints, plexiglas and Californian seeds, after research trip to the People's Park, Berkeley, 2016. Publication "People's Park" Ed. Macaco press, 2016.
1-6.People’s Park
Short film, 8’55", 4K, stereo, 2017.
People's Park originates from the photographic and audiovisual archives of the eponymous Californian park from the late 1960s in Berkeley, California. The fiction is shot in Geneva, Switzerland, in 2016.
Film excerpt
Full film
Short film, 8’55", 4K, stereo, 2017.
People's Park originates from the photographic and audiovisual archives of the eponymous Californian park from the late 1960s in Berkeley, California. The fiction is shot in Geneva, Switzerland, in 2016.
Film excerpt
Full film
Written and directed by Camille Dumond. With: Marion Duval, Claire Van Lubeek, Kayije Kagame, Mallika Juillard, Ravi Govender, Romain Grateau, Louise Nicollon des Abbayes. Directing assistant : Camille Vanoye. DOP : Michaël Capron. Sound : Masaki Hatsui. Costumes : Maïlys Leung. Regie : Louise Nicollon des Abbayes, Romain Grateau, Clara Coste. Catering : Adrien Chenevière. Music : Camille Dumond. Editing : Léa Chatauret. Sound mix and editing : Charlotte Butrak. Coloring : Nicolas Lossec. With support from Département de la culture et du sport de la Ville de Genève - Aide à la création 2017.
1-6.Six balls and the Maze
Video, 33’35’’, 2016.
Directed by Bianca Benenti, Camille Dumond, Séverine Heizmann, Gitte Hendrikx, Claire van Lubeek, Lin Vorwinzel.
Full film on demand
Video, 33’35’’, 2016.
Directed by Bianca Benenti, Camille Dumond, Séverine Heizmann, Gitte Hendrikx, Claire van Lubeek, Lin Vorwinzel.
Full film on demand
As part of the program Labor ø labor, by Benjamin Valenza and Triangle France, with the support of Republique et Canton de Genève, 2016.
1-2.Hentsch
Two plaster tables shown in Every table is a potential tent, group show by Les mouches, Geneva, 2016.
photos: Isaac Contreras
Two plaster tables shown in Every table is a potential tent, group show by Les mouches, Geneva, 2016.
photos: Isaac Contreras
1-3. Grand salon &
Silicone window
produced during Living room, collective residency project by Lou Masduraud & Antoine Bellini, CCA Ujazdowski Castle, AIR, Warsaw, Poland, 2016.
produced during Living room, collective residency project by Lou Masduraud & Antoine Bellini, CCA Ujazdowski Castle, AIR, Warsaw, Poland, 2016.
1-3.Echo
Installation for the grants group show, Bourses de la ville de Genève (Prix Lissignol, Chevallier et Galland), Centre d'art contemporain, Genève, 2015.
Installation for the grants group show, Bourses de la ville de Genève (Prix Lissignol, Chevallier et Galland), Centre d'art contemporain, Genève, 2015.
1-4.Pharcyde
Solo show, Quark, Geneva, 2015.
Text by Jean-Marie Bolay
Solo show, Quark, Geneva, 2015.
Text by Jean-Marie Bolay
Artworks:
"Pharcyde garden", various size, plaster casts with miscellaneous objects.
""
Artwork "Tard" made in collaboration with Kyrill Charbonnel.
Video "Studio bay", directed by Camille Dumond, with friends.
Studio bay, full video
Thanks to : Elisa, Jean-Marie, Kyrill, Binette, Lauren, Florimont, Chloe, Lou.
photos: Annick Wetter
"Pharcyde garden", various size, plaster casts with miscellaneous objects.
""
Artwork "Tard" made in collaboration with Kyrill Charbonnel.
Video "Studio bay", directed by Camille Dumond, with friends.
Studio bay, full video
Thanks to : Elisa, Jean-Marie, Kyrill, Binette, Lauren, Florimont, Chloe, Lou.
photos: Annick Wetter
Camille Dumond website
gathers her short films, installations, performances, objects, and collaborative projects from 2015 to 2019.
camille.dumond@gmail.com
All the videos
Site internet daisybell